What can I say? They are only characters if they disagree with me occasionally.
A sort of fictionalized take on my parodying the Green Day album Revolution Radio.
Chap, you’ve got something in common with me,
Jack Sparrow said. His comment was on Somewhere Now and its line I never wanted to compromise or bargain with my soul.
At least one obnoxious antagonist commonly asked these things be done - and then had them happen by the sword. This almost happened to Will once, so it was clearly something to work with.
No pirate had his buttons pressed much further until they got to Say Goodbye, which mentioned sick and suffering - things the enemy was legendary for causing. Next song was about outlaws ravaging a town so there were broken hearts and lost souls. Then when Bouncing off the Wall said give you the creeps,
that settled it.
I’d call this prime condition for parodying!
This album was so ironically like Pirates of the Caribbean it would be done without question, which said something considering how much learning the album had to be done by all parties. But the scenes were painted so well by almost everything in the album.
The Crew raced to and asked their employer what would be good to say about he who lived in the sea. Elizabeth reasoned he could be well described by Youngblood, with the bleeding heart, and Too Dumb to Die, with the sentimental illness.
You say you’re in mourning, then attack without warning,
said condescendingly the perspective of Troubled Side,
whoever he or she might be. A commodore was made Jack’s enemy many songs before that one in the album, right after the beginning. There was variety all around the album, and it was retained in the parodies.
They summed up Jack pretty well in the not overly difficult to learn songs. He stayed out of water and lived free, as Revolution Piratical
said. They were elated at the other songs, like Still Breathing, which asked Am I bleeding from the storm?
and called attention to just being alive.
Was it an album specifically prepared for her purposes, the amused employer of the Crew might have asked if she did not know better. It was grand - even having buried treasure in Ordinary World.
In a shack, with a shelf full of papers before him, a pirate took a few pages to write about a rather unlikely-seeming case of death being undone, in Say You’re Sorry,
Still Creeping,
and Too in Love to Die.
The album was well liked. Of course, things about it vanished, mostly when the Crew were frustrated by content not even the mystical could explain, that stuff specific to the modern age. Mr. Gibbs made a point of all the mentions of radio staying out.
Whoever came, he or she would say Aye
(or was it I?
), sword raised, pocket full of parodies.
There had been nothing to say Bah!
to here, but once it was over, they had something else to meet.
The pirates involved here once had vicious, conquistador-like counterparts made of Lego who were drawn to a popular Journey song at one point. The current ones knew they could do a better job with it. Three years earlier, one Barbossa secretly drew his sword on the other*, and that rift had grown wider and wider in the intervening years, as confusedly as the readers may have received this.
Spoiler: That mystic, whom you can read about on PotC Wiki, will be thought of as well.
An album called Escape. Jack naturally comes right over.